“One suspects that Cooley and Ozawa made more of the Vaughan Williams than is really on the page. Clutching his instrument like an abstract brass jewel, Cooley stood to the conductor’s left. The sheer beauty of tone and technical accuracy – intonation, trills, filligree whilrligigs and all that – were amazing.” – Heuwell Tercuit – San Francisco Chronicle
Prelude: Allegro moderato
For my performance of the Vaughn Williams Concerto in 1982, I performed a different cadenza for the first movement.
Congratulated by former President Bill Clinton after a solo performance